Produced by Bristol sound co-founder Geoff Barrow, this scabrous if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Venal pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own family home. In no time, he's upside down in the remains of his car in a woodland – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The bigger point – that the rave-era youth were mainly focused on themselves – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a grimly amusing standoff takes hold – David eager to get away; the Poacher withholding his jerrycan of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Vibe
There is only one important plot development, but it results in a hilariously staged rampage on the forest trails that dips close to folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the opening part, he now lets rip with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film releases in UK and Irish cinemas from 17 November.
